Public learning tools
Making music, playfully
Groove Pizza connects rhythm, shape and creative music-making. The 2016 MathScienceMusic launch provides an institutional record; the project history names its designers, developers and collaborators.
Work, people & evidence
Creative tools, sustained inquiry and collaborative practice. Explore what the public record tells us about the work.
Reported reach
MusEDLab’s creative learning and software projects have been used by more than eight million people in more than 150 countries.
Source reviewed 14 October 2026. The profile does not specify a measurement period or counting method. These figures describe reported use, rather than a measured learning outcome.
Public learning tools
Groove Pizza connects rhythm, shape and creative music-making. The 2016 MathScienceMusic launch provides an institutional record; the project history names its designers, developers and collaborators.
Artistic and design inquiry
From MusicDelta and Step Inside Mahler to Aeolus recordings and Boulez’s spatial music, these projects ask what listeners can discover by acting on the parts and perspectives inside a recording.
Published research
The Notio collaboration connects songwriting, improvisation and music theory in Finland. Publications examine research methods and emergent lesson design, making the inquiry available beyond the tool itself.
Research collaboration
The NEA Research Lab on Sustainable Entrepreneurship in the Performing Arts brings together Alex Ruthmann, Bruce Carter and Tanya Kalmanovitch. Its research agenda includes entrepreneurial practice in classical music training and the New World Symphony BLUE program.
Current design questions
Rengongfu explores musical judgment, practice and visible learning processes. Its concepts and prototypes are in development. The project page presents design intentions and questions for research, without claiming established learning effects.
A longer creative trajectory
Under review
Recovered Michigan website records document intonation tools, sensor-based performance, composition and early teaching. They provide historical context for Alex’s academic and creative practice before the lab’s founding in 2013.
We work with educators, researchers, artists and cultural organizations to explore new musical possibilities.
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